Taryn Simon - The Innocents


The Innocents documents the stories of individuals who served time in prison for violent crimes they did not commit. At issue is the question of photography’s function as a credible eyewitness and arbiter of justice.

The primary cause of wrongful conviction is mistaken identification. A victim or eyewitness identifies a suspected perpetrator through law enforcement’s use of photographs and lineups. This procedure relies on the assumption of precise visual memory. But, through exposure to composite sketches, mugshots, Polaroids, and lineups, eyewitness memory can change. In the history of these cases, photography offered the criminal justice system a tool that transformed innocent citizens into criminals. Photographs assisted officers in obtaining eyewitness identifications and aided prosecutors in securing convictions.

Simon photographed these men at sites that had particular significance to their illegitimate conviction: the scene of misidentification, the scene of arrest, the scene of the crime or the scene of the alibi. All of these locations hold contradictory meanings for the subjects. The scene of arrest marks the starting point of a reality based in fiction. The scene of the crime is at once arbitrary and crucial: this place, to which they have never been, changed their lives forever. In these photographs Simon confronts photography’s ability to blur truth and fiction-an ambiguity that can have severe, even lethal consequences.

selected by ivi

Taryn Simon does great work. 


“I hate to say this, but this place is getting to me. I think I’m getting the fear”
Fear and Loathing in Las Vegas (1998)Terry Gilliam


I hate to say this, but this place is getting to me. I think I’m getting the fear”

Fear and Loathing in Las Vegas (1998)
Terry Gilliam

heaven and (s)hell, sonoita, arizona

heaven and (s)hell, sonoita, arizona

(Source: phdonohue)

(Source: dailystir)


Adrian Cardoso, Alex Pierce, Cristi Isofii, Gabriel Shinel, Marin and Vitan com peças Givenchy, Calvin Klein, Raf Simons, Dolce & Gabbana and Saint Laurent para o editorial “Attack Art” da mais recente edição da revista Fucking Young!

Fotografias de Luca Finotti.

*eats you out as a friend*





Blows your back out as your homie

Gotchu walkin funny as a testament to our friendship.

makes you cum in the spirit of comradery

goes deep inside you for our longstanding amity

(Source: aterriblehusband)